ASSESSMENT 2

LINK TO SKETCH UP MODEL IN 3D WAREHOUSE: 

https://3dwarehouse.sketchup.com/model/74e91c2d-03f7-4eda-ad40-20bdf7916b9b/Assessment-2ARCH1101

LINK TO LUMION : 

https://www.dropbox.com/s/kgypj945z1y3kas/FINAL_SUBMIT.ls7?dl=0

PHOTOS OF FINAL MODEL: 

https://graceperkinsarch1101.blogspot.com.au/2018/05/lumion-final-light-rail.html

CHOSEN MATERIALS: 

https://graceperkinsarch1101.blogspot.com.au/2018/05/3-chosen-materials.html

6 MATERIALS LIGHT TO DARK: 

https://graceperkinsarch1101.blogspot.com.au/2018/05/6-materials-light-to-dark.html

AXONOMETRIC DRAWINGS: 

https://graceperkinsarch1101.blogspot.com.au/2018/05/10-axonometric-drawings.html

AXONOMETRIC DRAWINGS WITH CURVED EDGES: 

https://graceperkinsarch1101.blogspot.com.au/2018/05/potential-3-models.html

LUMION FILE

https://www.dropbox.com/s/kgypj945z1y3kas/FINAL_SUBMIT.ls7?dl=0

SKETCH UP 3D WAREHOUSE LINK

https://3dwarehouse.sketchup.com/model/74e91c2d-03f7-4eda-ad40-20bdf7916b9b/Assessment-2ARCH1101

LUMION FINAL: LIGHT RAIL

CONCEPT: "FRACTURED ARCHITECTURE AND REVEALED STRUCTURE CREATE A POETIC DESTRUCTION"

THE ONE UNIT BLOCKS OF COLOUR (RED, BLUE AND YELLOW) CREATE A FRAGMENTED DESIGN THAT IS ARRANGED TO CAPTURE THE VIEWERS ATTENTION, WHILST CREATING A VISUALLY APPEALING STRUCTURE THAT STIMULATES THE VIEWERS SENSORS.

THE COLOURS DO NOT ONLY ATTRACT PEOPLE, BUT IS USED TO GIVE THE SPACE DIMENSIONS AND LIGHT. FOR EXAMPLE UNDERNEATH THE ELEVATED ROOM IS A SHADED AREA WITH YELLOW WALLS. AS THIS AREA IS COVERED AND NOT DESIGNED IN A WAY TO LET LIGHT IN, THE YELLOW COLOUR IS DESIGNED TO ADD LIGHT TO THAT SPACE. THIS DESIGN RELATES TO LUIS BARRGAN'S USE OF COLOUR. 

THE BRIGHT PRIMARY COLOURS IN THIS MODEL, NOT ONLY REFER TO LUIS BARRGAN'S WORK BUT ALSO REFLATE TO PETER EISENMANN'S STYLE OF WORK THROUGH FRAGMENTATION. AS THE BRIGHT, PRIMARY COLOURS LOOSELY SEPARATE THE STRUCTURE INTO THREE MAIN SECTIONS -THE ROOF, THE CURVED ARCHES AND THE STAIRS -THAT CREATES A FRAGMENTATED DESIGN. THE THREE MAIN SECTIONS ARE LOOSELY CONNECTED TO ONE ANOTHER BY THIN CONCRETE COLUMNS, BUT THE NOTION OF FRAGMENTATION IS PRESENT AND CREATES "POETIC DESTRUCTION".

CHOSEN MATERIALS ON SKETCH UP MODEL 

3 CHOSEN MATERIALS 

THREE TEXTURES USED IN THE DESIGN...

     
LIGHT

  
MEDIUM                                                  

DARK

AMALGAMATED ASONOMETRIC SKETCHES

AMALGAMATED ASONOMETRIC SKETCHES 

FRACTURED ARCHITECTURE AND REVEALED STRUCTURE 
+
A POETIC DESTRUCTION 
= 
"FRACTURED ARCHITECTURE AND REVEALED STRUCTURE CREATE A POETIC DESTRUCTION".

ROOMS ARE NOT ROOMS BUT EXPERIENCES
+
LIGHT CUTS THROUGH SPACE 
=
LIGHT CUTS THROUGH SPACE TO CREATE ROOMS THAT ARE NOT ROOMS BUT EXPERIENCES 

6 MATERIALS: LIGHT TO DARK

10 AXONOMETRIC DRAWINGS

CONCEPTS AND AXONOMETRIC DRAWINGS


ROOMS ARE NOT ROOMS BUT EXPERIENCES.



A POETIC DESTRUCTION. 



FRACTURED ARCHITECTURE AND REVEALED STRUCTURE 



SOME FLOWS ARE REDUNDANT BUT NOT A WASTE OF SPACE. 



WEAK FORMS ARE ESTABLISHED FROM A FORMAL DECONSTRUCTION OF A SIMPLE SHAPE 



LIGHT CUTS THROUGH THE SPACE 



ARCHITECTURE FRAGMENTATION OF CONSTRUCTED GEOMETRY 


 
QUIRKINESS LEADS TO UNIQUITY
AND
WEAK FORMS ARE ESTABLISHED FORM A FORMAL DESTRUCTION OF A SIMPLE SHAPE





A POETIC DESCTRUCTION